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Jean-Baptiste MAITRE

AMSTERDAM

En résumé

Jean-Baptiste Maitre (1978, France), works in Paris and Amsterdam. Maitre received his degrees in Art History (Paris Sorbonne-University, 2002) and Fine Arts (Ecole des Beaux-Arts Paris, 2004) as well as in Studio Photography (Gobelins Ecole de l’Image, Paris, 2004). Maitre did his internship in Art History at the Peggy Guggenheim Collection in Venice in 2001 and worked in digital image making and computer generated imagery for advertising agencies (2004-2007). He started his own theoretical research at the Jan van Eyck Academie in Maastricht (Anticipating the iconography of the XXIst century, 2008). In 2010 Maitre completed his artist residency at the Rijksakademie van Beeldende Kunsten in Amsterdam and has developed a large body of works shown internationally.

Maitre develops works creating relationships between painting, cinema and sculpture in order to reinvent the way audiences gain access to information.
His recent production constitute the attempt of the artist to create a different cinema as a tool to meditate on early XXIth century public events, such as the looting of the Iraq Museum of Baghdad on april 9th 2003. Maitre’s meditative cinema technique is inspired by 1960s filmmaker Paul Sharit’s logic of frozen film frames, and 1940s film maker Len Lye’s aesthetic.

more works atArray

Mes compétences :
Graphic design
Scénographie

Entreprises

  • Www.jbmaitre.com - Directeur artistique

    2011 - maintenant Jean-Baptiste Maitre / Artist Statement


    I am making moving images that focuses on the mechanics and properties of cinema rather then its narrative.

    Reviving this focus gives space to the critical and poetic qualities of an earlier cinema that was essentially driven by the elemental idea of motion, at a time when filmmaking was an experiment.

    I am experimenting with hand made cinema. Paintings replace the traditional celluloid to produce motion videos. In the process, analog mediums are included again into a digital workflow.

    In my own work I question the mechanical as well as the phantasmagoric depiction of the world (that could be called “hallucination”) and find correlation between the two.

    The idea is to investigate how vision and imagination sneak inside the space of depiction. Hallucination can be regarded as a critique of reality, whereby the mind produces the effects of actual perception: one’s field of vision is replaced by another that appears to be just as real as the reality it is standing in for.
  • Rijksakademie van Beeldende Kunsten - Artist Fellow in Residence

    2009 - 2010
  • Jan van Eyck academie - Fine Art Fellow Researcher

    2007 - 2008
  • Www.jbmaitre.com - Graphiste Retoucheur

    2004 - 2007 post-production pour images publicitaire

Formations

Réseau

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